Name : Dave Kehr / Alias : Chicago Reader
Flaherty's sticky romanticism can't obscure the power of his images, which speak with an eloquence the intertitles lack.

Name : Glenn Kenny / Alias : New York Times
The imagery, in scenes that always unfold slowly, is truly startling, particularly given that the film is almost 90 years old.

Name : Alan Scherstuhl / Alias : Village Voice
Flaherty's company are performing their lives and their ancestors' lives and Flaherty's idea of both, for him, for his camera, for the world of '26, for us today, for all time.

Name : Tom Keogh / Alias : Seattle Times
A fascinating portrait of South Seas life, albeit embellished.

Name : Mordaunt Hall / Alias : New York Times
It is a joyful and at the same time a thoroughly artistic contribution to motion pictures.

Name : Jordan Mintzer / Alias : Hollywood Reporter
Like The Red Turtle's shipwrecked protagonist, you have to simply stop fighting the current and go with the flow.

Name : Peter Debruge / Alias : Variety
A fable so simple, so pure, it feels as if it has existed for hundreds of years, like a brilliant shard of sea glass rendered smooth and elegant through generations of retelling.

Name : Eric Kohn / Alias : indieWIRE
This is a quiet little masterpiece of images, each one rich with meaning, that collectively speak to a universal process.

Name : Jette Kernion / Alias : indieWIRE
Only James McAvoy's multi-faceted performance saves the movie from complete mediocrity.

Name : John DeFore / Alias : Hollywood Reporter
The director ties themes together at the end with more finesse than usual, letting a couple of meaningful visuals speak for themselves where he might have thrown in a line or two of explanatory dialogue.

Name : Katie Rife / Alias : AV Club
Split is a solid example of the type of elevated B-movie potboiler at which Shyamalan excels, and to which he thankfully seems to be re-committing his energies.